| Created 007.11.16; Updated 2007.11.16 |
This article originally appeared in Hollywood Today.
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Angelina Jolie Reveals Virtually Everything in Beowulf HOLLYWOOD, CA (Hollywood Today) 11/15/07 — "Yes, she's a monster, but she's also a mom, and that's the essence behind everything she does", says Angelina Jolie. "Grendel's mother is a demon and a seductress to the nth degree and nobody can do that kind of sultry character as well as Angelina Jolie," says 'Beowulf' director Robert Zemeckis. "I loved it", says Jolie. "At first, I thought, oh this is going to be so weird, all of us actors with these dots on our faces, in these wetsuit-type costumes, with no props or sets." More... |
Photos copyright Paramount Pictures
"But, what it really does is strip everything down to the essentials of performing, especially in the scenes between Crispin and me", says Jolie. "They were just pure amazing emotion." Crispin Glover, as the tormented monster Grendal, is truly gross, not merely biting the head off a victim, but chewing it thoroughly.
"What's interesting about this way of acting, with no sets, no costumes, just these silly suits with dots all over your face, is that you can do the whole scene, and it goes very quickly because you don't have to break it up the way you do on a conventional film", says Anthony Hopkins who plays King Hrothgar. Angelina Jolie actually needs no costume for 'Beowulf' because she doesn't wear any. She's fully nude for the entire film, but as a plastic Barbie doll animated version of herself with the naughty bits airbrushed out.
Zemeckis in his prior film 'The Polar Express' developed a technique called performance capture that he uses again for 'Beowulf'. "When you do a performance capture film, you have the ability to do two forms of casting, one for performance and one for likeness, which means you can actually separate what a character looks like in the film from the performer who portrays that character," says 'Beowulf' producer Steve Starkey. "The great thing about the technique is that it allowed someone like me, who is 5'10" and a little on the plump side, to play a 6'6" golden-haired Viking", says 'Departed' actor Ray Winstone who plays Beowulf.
"The key term was black box theater, that's what got me", says Brendan Gleeson, a 'Harry Potter' veteran who plays Beowulf's stalwart friend Wiglaf. "All the performances happen in this big square thing and your world is created within that. It's not blue or green screen. It's a completely different concept. Most of the theater I'd done in the '80s, for example, was in the black box. We couldn't afford props so we'd mime them or create them in the audience's head, and that's what this process is a little bit like. Now, all the dots and the embarrassing black suit aside, it's the same kind of thing, you've got to transport yourself within that volume."
The key to telling the oldest epic tale in the English language is to make sense of the original 3,000-line poem. Based on a 6th century battle in Denmark, the peom originated from Anglo-Saxons in northern England two hundred years later who saw themselves not as British, but as Vikings. The original story, written in Old English on thin sheets of shaved leather, doesn't make complete sense. The monster Grendel never attacks King Hrothgar, only torments him. Beowulf ventures into the lair of Grendel's mother to kill her, yet he emerges from the cave with Grendel's head.
'Beowulf' screenwriters Neil Gaiman and Roger Avery devised a clever solution to Beowulf's logic issues. "Basically, Neil came up with the key operator of a unified field theory of Beowulf, which I had been working on for a decade", says Avery. "It became obvious to me that Beowulf had fallen prey to the same temptations I surmised had befallen Hrothgar, the temptations of a siren. He had made a pact with a demon." King Hrothgar harbors a secret past that comes back to haunt him and his kingdom, in the form of the monster Grendel. Avary co-wrote the Oscar-winning screenplay Pulp Fiction. Gaiman's four-part DC Comics novel Stardust was recently released as a movie starring Claire Danes.
Given a brilliant fresh interpretation of a classic epic, does 'Beowulf' the movie succeed? With powerful performances from the actors, 'Beowulf' makes a convincing try. It sounds like a proper British epic. Anthony Hopkins, the first actor cast, chose to use his native Welsh accent "because Welsh is an ancient language, several thousand years old." Grendel speaks his lines in Old English. "Beowulf…has a real visceral quality", says Zemeckis. "He cares only about what he can kill, what he can eat, who he can screw."
Unfortunately, the technology of performance capture still has flaws. The eyes of the photo-realistically animated characters often slip into a 'Toy Story'-like lifeless stare. Ultimately, what's missing is the full nuance of the actor's performances. The monsters are more convincing. Watching 'Beowulf' you may wonder if it borrows from Tolkien, but it's the other way around. J.R.R. Tolkien was an admirer of Beowulf. The fire-breathing dragon, who rises in anger after a thief steals his treasure at the climax of 'The Hobbit', came from Beowulf.
'Beowulf' is one of the largest 3D film releases ever, on more than 700 screens nationwide. I enjoyed watching the IMAX 3D version at Universal (with glasses). It's also being shown in 2D.
Distributor: Paramount Pictures
Release date: November 16, 2007
PG-13 for intense sequences of violence including disturbing images,
some sexual material and nudity
1 hr. 53 min.
